Rungh Magazine Volume 9, No 2

Rungh is Canada’s leading online platform which focuses on creative work by Indigenous, Black and People of Colour (IBPOC) identified artists. Since 1992, Rungh Magazine has featured multidisciplinary, unique and opinionated views and reviews. Subscription is FREE. People ask us, how can I support IBPOC artists in Canada? Our answer, join our mailing list and tell your friends about us.

What is A Sankofic Love Letter? Read Ashley Marshall’s thoughts on this ground breaking Caribbean Diasporic exhibition at the Art Gallery of Ontario (AGO).

In this NEW issue, go deeper into what it means to represent "The Indigenous Experience" in Evelyn Pakinewatik's review of the Cousins and Kin Program at DOXA. Bruce McIvor’s essay "Reconciliation as a Massive Failure" shines light on Canada's big lie.

Stay dry, if you can, while reading Aaditya Aggarwal’s review of SAVAC's Monitor 14 program, "Mermaid, Pilgrim, Spectator". S F Ho writes about water (and much more) in featuring the work of Christian Vistan in Rungh's (virtual) Artist Run Centre (established since 1992).

David Garneau’s Column Dhaka Traffic ponders being disabled by design as an allegory, while Phinder Dulai reviews Tolu Oloruntoba’s new poetry collection, Each One a Furnace.

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Join us for the (further) journey into Volume 9 by joining our list.