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July 5, 2023

Rungh Magazine, Volume 10, No 2

Image Courtesy of TIFF - When Morning Comes film still

When Morning Comes
Film by Kelly Fyffe-Marshall
- and –
Viola Desmond Cinema naming
November 8, 2022
TIFF Bell Lightbox, Toronto, Ontario

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In this issue, Rungh continues to challenge your ideas about IBPOC arts in Canada.

Columnist David Garneau reflects on “the problem of e/quality in the art world(s)” in his eighth Column for Rungh. Don't miss his collection, a must-read for those interested in critically engaging with arts and culture in Canada.

  • Ashley Marshall marks Viola Desmond Day and reviews Kelly Fyffe-Marshall’s When Morning Comes.
  • Phinder Dulai's review of Paolo Javier’s new poetry collection and Malivia Khondaker's of Jagdeep Raina’s exhibition everything left unsaid.
  • Sharanjit Sandhra challenges the GLAM sector to decolonize in her review of Shimrit Lee’s Decolonize Museums, and
  • Asa Willoughby enters the Punjabi language teaching world in his review of Keerat Kaur's Panjabi Garden.

At Rungh, we like ideas that make you think.

Explore Rungh Volume 10, Number 2
Columns
Still Looking for E/qualityBy David Garneau
Quality of care versus aesthetic quality
Reviews & Reflections
A Sense of HomeBy Ashley Marshall
Kelly Fyffe-Marshall's When Morning Comes reviewed

Initiatives

A Flaneur’s JourneyBy Phinder Dulai
Bleeding geography and relation in the poetry of Paolo Javier
Decolonizing This SpaceBy Dr. Sharanjit Kaur Sandhra
Shimrit Lee's Decolonize Museums reviewed
Punjabi Language LearningsBy Asa Willoughby
Keerat Kaur's Panjabi Garden reviewed
Understanding the unsaidBy Malivia Khondaker
everything left unsaid reviewed

Coming Soon

"Dear Nani” by Zinnia Naqvi
Rungh’s Archive Creation Residency virtually gathered artists Serena Lukas Bhandar, Farheen Haq, Shelly Bahl, and Zinnia Naqvi as they reflect on conversations about memory, archive, family, relations, and intergenerational knowledge exchange. Stay tuned for more updates.

Explore

Rungh Redux BCMA

Launched in 2022, Redux is a digital network and discoverability tool. It invites you to explore the archive of printed Rungh Magazines from 1992-1999 (Volumes 1-4). Connect artists to articles and art. Draw linkages between thematic issues and streams.

Rungh Redux is also a bridge between the 1990s and the newly launched (2017) Rungh website. Travel from past to present and back again. Share your journey via social media links and more.

Rungh Means Colour

Rungh is a magazine, artist space, archive, and more. Rungh features work by Indigenous, Black, and People of Colour artists. Canadian, multidisciplinary, unique, opinionated. Since 1992.
We hope you enjoy Rungh's newest issue and don't forget to send us your thoughts and feedback and share with your family and friends.