Aaditya Aggarwal reviews ‘Drifting with the Summer Tides’, curated by Rasha Salti, at SAVAC Toronto, July 23 – August 6, 2021.

Ashley Marshall reviews the Art Gallery of Ontario exhibit Fragments of Epic Memory.

Tolu Oloruntoba’s “Each One a Furnace” reviewed by Phinder Dulai.

Bruce McIvor challenges Canada’s big lie.

Vol. 9, No. 1 / Reviews & ReflectionsPunjab, Punjabi, PunjabiyatUnderstanding language, geography and belongingBy Anne MurphyRachita Burjupati, Untitled (detail), 2018, installation of sand, wood, mesh, and fabric, dimensions variable. Photo: Rachel Topham Photography.Share ArticleEditor’s Note: …

Vol. 9, No. 1 / Reviews & ReflectionsThe Voiceless SpeakGrada Kilomba’s Plantation Memories: Episodes of Everyday Racism reviewed.By David AustinPlantation Memories: Episodes of Everyday Racism Grada Kilomba Between The Lines, 2021Share ArticleIn the back-cover blurb for Grada Kilomba’s Plantation Memories: Episodes of Everyday Racism, I wrote the following: Grada Kilomba’s Plantation Memories is a remarkably insightful and compelling book about …

Vol. 9, No. 1 / Reviews & ReflectionsHolding Space for Beauty and BlacknessIs Love a Synonym for Abolition? reviewed.By Ashley MarshallIsabel Okoro, (If you knew how we got here), 2020 Photo by Darren Rigo. Is Love a Synonym for Abolition? Artists: Isabel Okoro, Timothy Yanick Hunter Curator: Liz Ikiriko Supporting Scholar: Katherine McKittrick Location: Gallery 44 Centre for Contemporary Photography, Toronto …

Vol. 9, No. 1 / Reviews & ReflectionsIntrinsically Tied to ReciprocitySelina Boan’s Undoing Hours reviewedBy Phinder DulaiUndoing Hours Selina Boan Nightwood Edition, 2021Share ArticleIn Selina Boan’s debut collection of poetry entitled Undoing Hours we are opened up to a way of experiencing this world through the journey of a white settler–nehiyaw poet seeking out her language, her family history and …

Vol. 8, No. 4 / Reviews & Reflectionswe all begin in waterTracing rivers and Indigenous epistemologiesBy Hannah ClausPerformance of Karine Wasiana Echaquan in front of the artwork water song (Kinosipi) by Hannah Claus during the opening of the exhibition Of Tobacco and Sweetgrass. Where Our Dreams Are, Musée d’art de Joliette, February 2, 2019. Photo Credit: Romain Guilbault.Share ArticleEditor’s Note : …

Vol. 8, No. 4 / Reviews & ReflectionsBuilding KinshipsFear and Care for the Fate of the World reviewedBy S F HoImage credit: Bruce Ray. Fear and Care for the Fate of the World December 20, 2020 – December 22, 2020 Artists: Afuwa, BUSH Gallery, aly de la cruz yip, Chandra Melting Tallow, and Cecily Nicholson, Mercedes Eng, Hari Alluri, and June …