Return to contents for Vol. 10, No. 2
About this issue
When Morning Comes film still. Image Courtesy of TIFF.
In this issue, Rungh continues to challenge your ideas about IBPOC arts in Canada.
Columnist David Garneau reflects on his earlier writing about the Minquon-Panchayat (perhaps, Canada’s first IBPOC national arts alliance in 1992?) and reflects on “the problem of e/quality in the art world(s)”. This is David’s eight Column for Rungh, and his collection is a must read for those interested in critically engaging with arts and culture in Canada.
Ashley Marshall marks Viola Desmond Day and reviews Kelly Fyffe-Marshall’s When Morning Comes. Phinder Dulai reviews Paolo Javier’s new poetry collection and Malivia Khondaker has a few things to say about Jagdeep Raina’s exhibition everything left unsaid. Sharanjit Sandhra challenges the GLAM sector to decolonize in her review of Shimrit Lee’s Decolonize Museums and Asa Willoughby enters the Punjabi language teaching world in his review of Keerat Kaur's Panjabi Garden.
At Rungh, we like ideas that make you think.
– Editor
